HOMELAND SECURITY SUITE for Percussion Ensemble
Whats New:
FREE CD's, Special offer: order any sheet music titles by Thomas Marceau or Robert E. Kreutz and receive a complimentary CD of their compositions.Forthcoming Events:
PAS Italy 2017
The 15th annual Italy Percussion Competition and Festival will be held in September (2017) in Montesilvano-Pescara (Italy). The festival features an international panel of judges and performers and will host students from around the globe.
Current News:
NEW RELEASES 2016
NOW AVAILABLE Robert S. Cohen's new title for Vibraphone and Marimba Duo:
Happy Fugue'N Birthday
Also available, for percussion ensemble:
Love Triangles for Percussion Trio.
Homeland Security Suite
THE genesis of Homeland Security Suite started with my composition of Orange Alert for solo timpani. At the time, the country was actually at “Orange Alert” and I was amazed that a color normally associated with such happy and positive images represented such a state of heightened anxiety. After it was published by HoneyRock, I thought it might be interesting to set all of the colors represented in the Homeland Security Advisory System: Green, Blue, Yellow, Orange and Red.
IT’S ironic that until 9/11, 2001 the vast majority of Americans weren’t even aware that an advisory system existed, let alone what all the colors meant. A number of questions came to mind. Was America ever at the lowest level, Green Alert? What was the symbolism embodied in a system of terror that uses the colors of the rainbow as its visual representation? How could I take these visceral images and transfer them to an art form based not on color, but sound, and create an arc over a sustained period of time that didn’t feel overly repetitive?
TO begin, I chose a more
abstract rhythmical and harmonic style and a wide variety of
instrumentation. Within each movement I embedded a number of more
literal musical “signposts.” For example, toward the end of
Green Alert I
used the steel drum to capture the sense of joy and freedom that a
lack of threat might engender - the tempo ironically marked “Don’t
Worry, Be Happy.” In Blue Alert
I included a number of musical fragments
referencing New York. After I completed all five levels I decided to
add an epilogue in the form of a new level:
White Alert –
white being the color of light that embodies all others and yet
appears without any. Whatever political statement I’ve attempted to
embody in this work can best be understood by reflecting on my
setting of this last, and truly final, movement.
. . . Robert S. Cohen, October 25, 2007
Complete Set - Six Titles:
$100.00 Titles Also Available Separately |
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Sound Sample |
Green Alert Price: $28.00
This challenging ensemble is the first movement of [Six Players - Duration ca. 8' 33" ] Bongos (2), Castanets, Claves, Congas (2), Cowbell Guiro, Maracas, Ratchet, Sand Blocks, Steel Drum, Tambourine, Temple Blocks, Triangle, Vibraslap, Woodblocks (2). GREEN ALERT (Low Risk of Terrorist Attack) is the lowest level on the Homeland Security Advisory System, a level that I expect, has yet to be attained – as it implies a total lack of outside threat. Highlights include a mysterious contrapuntal section led by the steel drum representing the omnipresent menace lurking below the surface; an extended solo for temple blocks; and a section with the ironic tempo marking “Don’t Worry, Be Happy” characterized by an infectious calypso tune played on steel drum. |
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Sound Samples: 1 2 |
Blue Alert Price: $25.00 This challenging trio is the second movement of Homeland Security Suite for Percussion. [Three Players - Duration ca. 7' 03"] Glockenspiel, Vibraphone, Marimba. BLUE ALERT (General Risk of Terrorist Attack) explores the interplay between the three tuned mallet percussion instruments. Tension is created by a repeated one-note figure that is punctuated by percussive semi-tones. It is the constant build of these semi-tones that becomes the metaphor for heightened risk as well as a musical representation of the hustle and bustle of New York City itself. Throughout the work, we hear snippets of well-known songs that reference New York City including: “New York, New York” (both the On the Town and “Sinatra” versions); “On Broadway” and “Autumn in New York.” |
Sound Samples: 1 2 3 4 |
Yellow Alert A tour-de-force for a solo percussionist. Scored for Snare Drum and small percussion set-up,
Yellow Alert is a solo movement from Homeland Security Suite for Percussion. |
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Video Sample Digital Download Version |
Orange Alert Challenging solo for five timpani. Inspired by the recent events of 9/11 in New York City, Orange Alert was conceived as a tour-de-force for an advanced timpanist. It moves between moments of quiet foreboding, to outbursts of controlled chaos. The centerpiece of the work is a fugue that appears at rehearsal letter [F]. Orange Alert is a solo movement from Homeland Security Suite for Percussion. ORANGE ALERT (High Risk of Terrorist Attack) is the most overtly programmatic of the set. Inspired specifically by the events of 9/11 it is structured around a series of explosive figures that not only represent the hijacked planes crashing into the World Trade Center, Pentagon and field in Shanksville, PA, but the shattering of our innocence and sense of security. A highlight of the work is a fugue and a sense of impending chaos that reaches its climax at the end of the piece with the exhortation for the player to “go crazy”. |
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Sound Samples: 1 2 3 |
Red Alert This ensemble is the challenging fifth movement of Homeland Security Suite for Percussion. [Eight Players - Duration ca. 5' ] Air Raid Siren, Bass Drum (2), Chimes, Cowbell, Crash Cymbal, Glockenspiel, Marimba, Snare Drum, Suspended Cymbals (3), Tambourine, Tam-Tams (2), Temple Blocks, Timpani (5), Tom-Toms (4), Triangle, Vibraphone, Whip. RED ALERT (Severe Risk of Terrorist Attack) goes beyond 9/11 to musically explore a dark vision of world-wide apocalyptic destruction. The piece builds in tension and texture and reaches a climax with the sound of an air raid siren hovering over descending overlapping glissandos punctuated by the sounds of explosions. The end is represented by a relentless repeated figure in the timpani and a militaristic figure in the snare drum that crescendos into a deafening wall of sound. |
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